A Japanese tattoo, often called Irezumi, Wabori or Horimono, is a traditional style of tattooing that originated from Japan.

It uses large, flowing compositions built around central motifs (dragons, koi, tigers, warriors, cherry blossoms etc.) with background elements (waves, clouds, wind bars etc.).

Japanese tattooing prioritises composition, story telling and symbolic meaning over isolated images, and is commonly executed as sleeves, backpieces or full body work.

Edward’s style of work draws strong influence from Japanese tattoos of the pre-World War 2 era. His approach follows classical Japanese tattooing layout and symbolism

He mainly uses black and grey, with bursts of vermillion (shu) and sienna (bengara). He also uses a limited colour palette when clients request for pieces with colour.

The pieces that Edward creates are large, powerful, bold, and are aimed to age with character, as well as be legible from across the room, even when the wearer is moving.

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Each motif carries a traditional meaning. For example, koi can represent  perseverance, dragons can portray strength, wisdom and protection, while cherry blossoms depict the fleeting beauty of life, and so on. 

For every piece that Edward takes on, he works with each client to choose themes and motifs that resonate with them, while ensuring that these motifs go together seamlessly on the body with room for expansion in the future.

It is recommended to bring general ideas to your consultation to narrow down the direction, but it is also important to keep an open mind and trust the process of coming up with something appropriate and meaningful together.

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A consultation allows for meaningful discussion where you can visually explore ideas, sizing and placement of your tattoo, as well as discuss other details of your tattoo process such as timelines and prices. This is to ensure that you and the tattooer are on the same page for a successful outcome.

For any tattoo larger than 15cm, Edward requires a complimentary face to face consult beforehand. When that is not possible, a video consult is recommended.

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While it is a small part of Edward’s workload, he enjoys other styles of tattooing as well when he is able to make time.

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Prices depend on size, artist reputation and technique. You should expect session based pricing rather than a single lump sum. Full sleeves or back pieces can take many sessions over months or years and cost significantly more than one-point tattoos. Therefore, planning and budgeting for your tattoo is required.

Any tattoo smaller than 15cm with Edward is quoted by the piece. Anything larger is charged by the session and may require multiple sessions. When booking in, a non-refundable deposit that goes towards each session is required to secure the sessions.

During your consult with Edward, he will be able to give a rough estimate to what costs to expect and budget for based on your project.

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It is difficult to estimate the total amount of time required for your project, as there are many variables that can affect the amount of time taken, such as size and complexity of the design, the area getting tattooed and your skin condition.

There are instances where a second pass on selected areas of the tattoo may be required. Doing a second pass will add to the total amount of time required to finish your project.

A Japanese tattoo with Edward can range from a few hours for smaller, one-point pieces to multiple sessions for large scale projects like full sleeves, backpieces or bodysuits. A session with Edward is typically 10am-3pm (5hrs).

During your consult with Edward, he will work with you to come up with a timeline and give a rough estimate to how long your project could take.

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Edward is based at Wabori House Tattoo on the Sunshine Coast, Queensland and is available by appointment only.

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It is up to individual  preference to whether you get a tebori or machine tattoo as both methods are used in Japanese tattooing today. Tebori (traditional hand method) is authentic to horishi (traditional Japanese tattoo artist) practice in Japan and can produce a distinct texture, but many modern tattooers use machines to achieve similar visual results quicker.

Edward’s tattooing aims to emulate a similar feel of rawness and power to traditional Japanese tattoos of the pre-World War 2 era, yet bring precision with the use of tattoo machines to suit the standards of modern tattooing.

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Large Japanese pieces involve long sessions and can be uncomfortable. Pain varies by placement (areas like ribs, spine and inner arm can be more sensitive). 

However, pain is subjective and different for everyone. Certain areas that don’t hurt as much for some, may hurt more for others, and vice versa.

It is important to stay relaxed and breathe regularly during your tattoo session. Being well rested, staying hydrated and having a big meal beforehand may also help with pain management.

Prepare by resting well the night before, staying hydrated, avoiding alcohol and blood-thinners before sessions. Follow any pre-session instructions your artist gives. Having a big meal beforehand also helps with pain management.

For a large-scale tattoo, the process often requires patience and endurance across many appointments.

Topical numbing creams (e.g. lidocaine formulations like Numit) can reduce surface pain but will not remove all discomfort and have potential side effects. Always patch-test, check dosage instructions, and discuss with your artist (and your GP if you have medical conditions).

Edward does not encourage the use of numbing cream for his clients, mainly because it changes the skin and may affect the quality of the tattoo. The use of numbing cream is entirely at your own risk.

While aftercare instructions differ from artist to artist, it is important to follow your tattooer’s instructions. 

Generally, it is advisable to keep the bandage on for at least a few hours. Clean the tattoo gently with mild soap, warm water and apply antiseptic cream while the skin is still open. When it starts to scab, moisturise with recommended ointment/lotion as required. Avoid soaking (pools/baths) the tattoo and sunlight for an extended period of time, wear loose clothing and watch for infection signs. The tattoo may get itchy during the healing process so be sure to not pick on or scratch the tattoo. Full surface healing may take a few weeks while the complete settling of inks in the skin can take months.

A tattoo is essentially an open wound so care for it as you would care for a wound. At the end of your first session with Edward, he will advise on a specific aftercare plan that will suit you. 

Traditional Japanese imagery can carry cultural weight. If you plan to travel to, or live in Japan, be aware that some hot springs, gyms and certain public areas still restrict visible tattoos. Respecting the imagery, being willing to learn about their stories and meanings, and consulting a knowledgeable artist is recommended.

During your consult with Edward, he will advise on ideas that will suit you while collaborating with you to create a piece that is appropriate, harmonious and meaningful.

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Look for artists who specialise in Japanese-style work. Study their portfolio for composition, flow and consistent traditional elements to be sure that their style of work is the right fit for you. Check the studio cleanliness, licensing and be prepared to travel for a reputable tattooer. You should prioritise skill and style-match over price.

If Edward’s style of work is for you, book a consultation here to begin your journey.

Yes, the bold blacks and layered backgrounds of Japanese tattooing make them good for cover-ups and unifying disparate tattoos. A consultation with an experienced artist will determine feasibility, how much reworking is needed and assessing if laser therapy could be required to lighten an unwanted tattoo for more options with cover-ups.

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All tattoos fade over time from sun exposure and your body constantly trying to break down foreign particles in your skin, which in this case is the tattoo ink.

Large, well executed Japanese tattoos tend to age well if maintained. Touch ups and reworking of certain areas are common several years or decades later, especially for bright colours.

Edward aims to create impactful and long lasting tattoos with his style of work. Book a consultation here to begin your journey.

Inform your artist of allergies, skin conditions, blood disorders, medications (blood thinners, immunosuppressants) or any condition you think may affect your tattoo process.

Reputable studios screen clients and provide medical advice disclaimers. If unsure, check with your GP first. Proper hygiene and licensed studios minimise infection risk.

Please be punctual and ensure sufficient time for your session on the day.

Ensure you have had sufficient food, rest and water prior to your session. Bring some water, lollies and/or sports drinks to stay hydrated and keep your sugar levels up. 

Moisturise the area getting tattooed regularly a week before your session as it could potentially help with your body taking ink.

If the area getting tattooed is a hairier part of the body, please shave before your session.

Maintain good personal hygiene and wear appropriate clothing for your session.

Bring a current photo ID for identity verification. You have to be 18 years old or over on the day of your session.

Deposits are non-refundable in the event of a cancellation/ no show.

Should you need to reschedule your session, at least 24hrs notice with acknowledgement from the tattooer/studio is required. You may reschedule once per session without losing your deposit.

Should you turn up to your session intoxicated in any way, or present any abusive behaviour to the tattooer/ studio, you will be turned away and your deposit forfeited.